Book length: 226 pages
Genre: Fiction
Format: Paperback/E-book
Personal Rating: 4.7/5
Buy this book here: https://amzn.to/35zS3NO
Introduction: If you look around in the world, what do you see? A hundred different people, each in their lives, which are mysteries and stories for us. When I say people, what is the image that comes in your head? Images of several human faces, probably some of them which you know, and the others you might have shared glances with at some point in life. Diversity, would be an evident inference from this collective picture that would form in your head, right? The bracket of people would be filled with an array of races, features and moreover… Genders. I think we all agree, that this simple word is vast and deep enough to substitute a world within itself. A natural construct bringing balance, significant in the universe’s way of working, and an instrument of humanitarian conflict are the two sides of the gender coin, positive and negative respectively. Patriarchy and misogyny are a tale as old as time, and sadly, prevalent even today. However, there has been improvement on this front, and we can’t deny that either. The year is 2022, and we would say that somewhat, the lives of women have developed for better. When I say somewhat, I have a feeling that many would disagree. To those who do, I have a simple question: Do you feel progressive as a man, or empowered as a woman when a husband says “He allows his wife to work”? If you nod in affirmative, you just proved my point. This is just the tip of the ice berg of the thousand gap that still exist in the mindset of us individuals who form the society, which are filled by these 2 Satans: Patriarchy and Misogyny. In The Daughter of Luharu, author Monica Sudhir Gupta opens up a window to help us look through what it is like, being a woman, in India. (I wouldn’t say ancient, as per setting of the story, because even though we have moved much forward in terms of years, at some point, we are still living this story, as a society and a woman).
Theme: Roheeni is a girl born in Luharu, a remote city in the state of Haryana. She has lived through the side of India, we now read about in our history textbooks. Yes, it’s the era before independence. In this fictional auto-biography, Roheeni takes us through the life of people, and most importantly women, before India gained its independence and along when Pakistan received its. That’s pretty much all I’ll describe about the theme of this book. But don’t be deceived, an overwhelming lot about the world this 226-page long manuscript show you, through the feeble layers of ghunghat* and folds of Roheeni’s pallu*.
Personal Opinion: There’s a lot that’s crossing my mind at the same time when I think about my opinion and experience with this book, but somehow, I’m finding it difficult to put it into words. Irony? Definitely. That’s how emotionally this book has touched me. Coming from a background where so much of whatever that’s highlighted in the book is still so normalised and visible, in every page, the relatability factor hit me like a train. The story is beautifully woven, and extremely well-articulated. Every element is so realistic, it doesn’t even feel like fiction to be honest. My heart and mind have become a sea, with the waves of emotions I’ve felt while reading this. The only input that I would’ve given for improvement would be that in the initial chapters, the tonality should have matched Roheeni’s age. That would have made it feel all the more real. I applaud Monica’s efforts of creating something so honest, and though-provoking. She has done a commendable job of making this book a clear river through which we can crystal clearly feel, and not just see the state of women in this society. I would urge every human from every part of the world, irrespective of their age, race, gender, and all the possible borders that divide us, to read across this book once in their lifetime and do their bit, in making sure that there are no more Bhagwani Devi’s and lives like Roheeni’s, but more of Kishan’s and endings like Nutan’s (Read the book to decode this reference huehue).
*ghunghat: A sort of veil, that women in India use to cover their face with as a part of cultural norm
*pallu: A part pf the garment saree, worn my Indian women
